AKA Art Productions
102022–2024

Silk, wool and felt, at the scale of painting.

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Dr. Lakra’s tapestry was embroidered in silk and wool in 2022: a red deity of chains and teeth over a river, every surface filled with chain stitch. Felt followed — a dragon above a skeleton, laid in wool.

In 2023 José Bedia’s works were on view again, and Aya Takano’s hand-knotted works from Nepal went up on gallery walls. In 2024 Edgar Orlanieta’s triptych was made in felt: a cross, a dove and a sun, drawn in wool and stitched by hand.

Dr. Lakra · silk and wool · 2022

The full tapestry: a red deity with chains, teeth and claws over a blue river, embroidered in silk
Dr. Lakra, silk and wool, 2022.
Close-up of the deity’s face and coiled chain in red, black and ochre silk chain stitch
Detail of the chain stitch.
A felt work of a golden dragon in clouds above a skeleton, with a pink border
A dragon and a skeleton, in felt.

José Bedia · Aya Takano · 2023

A museum gallery with a large ochre textile of an antelope titled animal di sabana between two sculptures, a blue work on the left
José Bedia, animal di sabana, on view, 2023.
Three installers on ladders hanging Aya Takano’s hand-knotted work with leopards in a gallery with a moulded ceiling
Hanging Aya Takano’s work, 2023.
Aya Takano’s hand-knotted work of three girls in three panels, hanging on a white wall
Aya Takano, hand-knotted in Nepal.

Edgar Orlanieta · felt triptych · 2024

A pale felt panel with a black line cross, a yellow sun and a white dove
Edgar Orlanieta, felt, 2024.
Close-up of black and red wool lines stitched over a white felt circle
The lines, stitched by hand.
Artists, galleries & collectors

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Tell us about the work, the size and the timeline. We will propose the technique and the workshop.

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